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mike lawson

how to get fresh creative ideas from films

I watch a lot of movies. probably more than you think is reasonable haha.

but it isn't just time away from work. a character, a scene, or the way a story unfolds can give me a different way to think about something I'm making.

I wrote about fiction and my creative diet here. when everything you consume is advice about your own industry, you can end up with plenty of frameworks and very little room to play.

you don't need to turn every film into homework. if something stays with you afterwards, you can follow the thought and see where it goes.

watch something outside the usual work feed

choose a story you're curious about. it doesn't need to be about design, business, or creativity.

animation counts. comedy counts. a genre you rarely watch might give you something your usual references don't.

let yourself watch it first. pausing every minute to hunt for a content idea can make it harder to notice what the story does as a whole.

this is a way to broaden what you're drawing from. it isn't a promise that a particular film will fix a creative block.

notice the part you keep thinking about

afterwards, ask what stayed with you. maybe it was a character's choice. maybe a reveal changed how you understood an earlier scene. maybe a quiet moment did more than a long explanation could.

write down the moment and why it mattered to you. “great movie” is a feeling. a note about what made it work gives you something to explore.

keep the note short. you don't need to review the whole film to learn from one part.

describe the idea without copying the scene

what is the underlying choice? withholding information, repeating a detail, making a contrast, showing a consequence?

try explaining it without relying on the characters or exact dialogue.

here's an illustrative example: a story introduces a tiny detail that becomes important later. the useful thought might be that an early example can make a later point more satisfying.

that's different from reproducing the film's scene in your own work. you're asking how an idea could apply to another purpose.

connect it to something you're making

look at a current draft, presentation, or design. is there a place where the observation could help?

maybe the opening gives everything away before the reader has a reason to care. maybe you need a concrete example before explaining the lesson. maybe the sequence is making a simple point difficult to follow.

try one change in a small version. compare it with what you had before. did it improve the work, or did you just add a clever reference?

if the connection feels forced, leave it. not everything you enjoy has to become a post or a project.

let learning lead to making

my original letter also talked about consuming advice without acting on it. learning can start to feel like progress even when you haven't tried anything.

give the observation a small place to go. write a paragraph. sketch a version. record yourself explaining the point.

then see what you notice while making it. that can be more useful than adding another ten examples to the reference folder.

you're allowed to enjoy the film and leave it there too. this is a way to create when a connection appears, not a demand to monetise every evening.

keep a note you can use later

if an idea is worth saving, capture:

  • the film and the moment
  • what I noticed
  • why it interested me
  • where I might try the idea
  • what happened when I tried it

when you mention the film publicly, name it so people can find the reference. don't assume that credit gives permission to reuse clips, images, or dialogue.

your next useful idea might come from somewhere that has nothing to do with your job. give yourself a chance to encounter it.

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